FUNERAL WINDS – STIGMATA MALI (Osmose Productions)
No respite from Funeral Winds. If anything, the ferocious offensive against the holy trinity is becoming more fearsome with the
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Author: Bornosin
NOCTURNAL DEPARTURE – CLANDESTINE THEURGY (Hells Headbangers Records)
Ghastly ghoulish growls and soul-shredding shrieks of the damned vie for supremacy on the scathing surface of ‘Clandestine Theurgy’, the
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MINENWERFER – FEUERWALZE (Osmose Productions)
After four years (fittingly) of quiet on the western front, Californian warmongers Minenwerfer return with a fresh and devastating wave
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KRINGA – ALL STILLBORN FIRES, LICK MY HEART (Terratur Possessions)
Casting seven sorcerous spells from the godforsaken outpost that is the eastern realm, the inimitable, trailblazing channellers of outlandish auditory
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OBSKURITATEM – AROGANTNI NIHILIZAM 2LP (Black Gangrene Productions)
In these inane times of instant gratification and ever-diminishing attention spans, where the masses of docile human cattle are too
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NÉCROPOLE – YOGA (Northern Heritage Records)
I feared Amertume might drop completely off-grid (in terms of releasing new music) after laying Caverne to rest with the
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NOENUM – HERESIARCH (Northern Heritage Records)
Noenum delivers a delirious dose of glorious, majestic, arcane Black Metal mercury on debut full-length, ‘Heresiarch’. What the Finnish duo
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HATE FOREST – INNERMOST (Osmose Productions)
Hate Forest is an institution in itself and each new release from Black Metal’s most notorious history teacher constitutes an
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BLACK DEATH CULT – DIASPORA LP (Profound Lore Records)
Black / Death Metal doesn’t get much more surreal and out there than Black Death Cult’s frankly deranged second fantastical
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MISÞYRMING – MEÐ HAMRI (Norma Evangelium Diaboli)
Contemplating the essence and linearity or otherwise of the glass-ceiling-breaking third Misþyrming full-length ‘Með hamri’, Jean-Baptiste Alphonse Karr’s oft-quoted observation
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“THE HOPES OF YOUTH HAVE BEEN DROWNED IN THE TEDIOUS, DISCOURAGING AND UNSURPRISING EVOLUTION OF HUMAN LIVESTOCK” – OUTRE-TOMBE (AKITSA)
A score of spirit-sapping, soul-destroying years has passed since Outre-Tombe audaciously lit the touchpaper for Québécois Black Metal by issuing
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“SOME HAVE FEAR, OTHERS EMBRACE IT WHEN IT COMES, SOME ARE AT PEACE, SOME WILL PRAY FOR MORE TIME” – MkM (ANTAEUS)
Like some surreal viciously-pulsing severed artery of sonic excess, Antaeus sprayed forth from the gushing sewers of Paris a bloodletting
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“SINCE WHEN SHOULD BLACK METAL BE SMOOTH AND HARMLESS MUSIC, A ‘SAFE SPACE’ FOR WEAK PEOPLE?” – NOKTURN (AUTARCIE)
Evoking a uniquely rich cultural heritage by revisiting glorious bygone epochs from France’s illustrious history, Autarcie’s powerfully nostalgic and emotive
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“NOWADAYS IT SEEMS THAT EVERYTHING IS TURNED UPSIDE DOWN AND LIED ABOUT” – PETRI ILVESPAKKA (DIABOLI)
The living embodiment of an uncompromising underground artist, Petri Ilvespakka has been crafting authentic Black Metal art under the Diaboli
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“LIKE A STRIKE OF LIGHTNING, IT AWAKENED AND OPENED SOMETHING IN ME” – WRAATH (RITUAL DEATH)
Celebrating and evoking the inevitable fate that awaits us all, Ritual Death’s deliriously-decadent and predictably-self-titled debut full-length reeks of necromancy
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