On their long-awaited debut full-length, Mannveira have embarked on an introspective and deeply personal journey to the heart of darkness
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A statement that surely nobody could disagree with: Qrixkuor’s debut full-length has been more than worth the wait. In many
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Ushering Caverne reverentially and gloriously to its final resting place, ‘La Fin de Tous les Chants’ represents a suitably poignant,
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With swarming, virulent, ominous intent, the opening pact ‘Gods Await Us’ rages forth manically to signal the cursed return of
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Desolation and darkness permeate every nihilistic note and pained shriek of Mannveira’s debut full-length, ‘Vítahringur’, which oozes oppressive discontentment across
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Deeply connected to the earth, the ancient ways and an aspect of humanity that is disappearing more and more with
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The personification of primal sonic debauchery, Malgöth’s devastating debut full-length abomination, ‘Glory Through Savagery’, is destined to be detonated by
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We are living, nay existing, through unprecedented times. Never before in the history of humanity has so much changed so
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There are no niceties or nuances deployed to alleviate the relentless aural assault that is Malgöth’s utterly ravenous and insatiable
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As humanity endures a painful and protracted rebirth, the second Cultum Interitum full-length, ‘Veneration Of The New Dawn’, is as
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